My Intimacy
2002 – 2022
Land_ Body
pen and ink on paper
journal entries
2019
-by length and by depth-
2017 – 2018
Murmur
pencil on paper
2018
Incise
pen and ink on paper
2018
Open
pen on paper
2017
Torn
pen and ink on paper
2017
Land_ Body
pen and ink on paper
2017 – 2019
untitled land_body scapes
pen and ink on paper
2018 – 2022
While raising a family, during a period of self-imposed creative isolation, I made hundreds of drawings over the course of 20 years. Breaking away from my usual process and methods, I chose to work with pen on paper, starting with small sketchbooks and an array of pens I found lying around (convenient materials). Many of the drawings only took moments to create, as moments were all I had as a busy mother.
My process was to scar, score, and gouge into several layers of paper, carving images in and out of the surface and letting the ink penetrate, spread, and bleed through. I was in search of my mark, my voice, what sort of gesture came naturally to me. I had an intense need to ground myself through my artwork and to find my authentic self.
I chose this way of drawing intentionally, knowing that not a single mark could be erased. It could be drawn over and gouged out, leaving behind a scar, a remanent, but it was, in my mind, forever part of the history of the drawing’s making; similar to a pentimento or, in more literary terms, a palimpsest. I saw these drawing as a form of journaling, reflections on and of the day they were made … and the journey I was on.
My body
pen and ink on paper
2018 – 2022
pen and ink on paper
2018
self
harm
My intent is to use marks as action, voice, language, and recollection, with history, time, and breath resonating in each piece. These drawings, for me, are an intimate journey of self-confrontation and expressive possibilities. Not singular in their reference, they are simultaneously expressive, abstract, and representative, the female body and landscapes making shadowy appearances, with narratives of trauma, mourning, and healing acting as underlying motivations. These drawings are not just copies of what I see—they are expressions, impressions of what I have seen, felt, and experienced. Miriam Fabijan
Blooms with Roots
pen and ink on paper
2021
Mending
The very moment a wound is endured, healing begins. MF
pen on paper
2003
I am one thousand gestures
pen on paper
2002
My, I
pen on paper
2005
Deeply
pen and ink on paper
self portraits
2021
my intimacy
This series of drawings were initially created without the intent of ever exhibiting them, but as I grew more confident in this process, I did eventually exhibit a selection. Many of these drawings were given away as expressions of gratitude to family, friends, and special people in my life who either knowingly or unknowingly helped me along my journey. Some drawings I have kept as reminders of this chapter in my life.
SOLO EXHIBITIONS
2019
LAND_BODY. The GRAND entrance gallery, Calgary, Canada
2018
by length and by depth. Arts Commons +15 Gallery, Calgary, Canada
GROUP EXHIBITIONS
2023
In Full Bloom, a celebration of artwork by and about women. Miriam Fabijan, curator, ATB Branch for ART + Culture, Calgary, Canada
2022
Box Stories Gallery 2022. (my intimacy.) Loft 112, Calgary, Canada
2021
Art from the Unknown 2021. Alberta NDP caucus temporary virtual gallery, Canada
2021
Portraits of Resilience. Online exhibition. Art Gallery of Ontario (AGO), Toronto, Canada
2020–21
The Many Paths That Have Led Us Here: Stories of Resilience in the Arts. Miriam Fabijan, curator, Arts Commons +15, Calgary, Canada
Window #2: On the edge of beauty and disruption, Window #3: Deeply.
CATALOGUE
2022 The Boxed Stories Gallery III (featuring “my intimacy”), author; Lisa Murphy Lamb, Loft 112 Gallery, Spring 2021, Calgary, Canada